Amazing Travel Fact South Korea
South Korea:
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South Korea:
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Sweden:
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Spain:
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Prague:
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Austria:
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Ecuador:
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Bolivia:
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Hawaii:
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Netherlands:
De Stijl consisted of artists and architects. In a more narrow sense, the term De Stijl is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to vertical and horizontal, using only black, white and primary colors.
Like many other avant-garde art movements at the time, De Stijl was a reaction against the horrors of World War I. It was utopian in nature in the sense that the members of De Stijl believed art to have a transformative power. For them, art was a means towards social and spiritual redemption.
It was also a reaction against the decorative excesses of Art Deco, the reduced quality of De Stijl art was envisioned by its creators as a universal visual language appropriate to the modern era, a time of a new, spiritualized world order.
Led by the painters Theo van Doesburg and Piet Mondrian – its central and celebrated figures – De Stijl artists applied their style to a host of media in the fine and applied arts and beyond. Promoting their innovative ideas in their journal of the same name, the members envisioned nothing less than the ideal fusion of form and function, thereby making De Stijl in effect the ultimate style. To this end, De Stijl artists turned their attention not only to fine art media such as painting and sculpture, but virtually all other art forms as well, including industrial design, typography, even literature and music.
De Stijl’s influence was perhaps felt most noticeably in the realm of architecture, helping give rise to the International Style of the 1920s and 1930s.
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China:
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Turkey:
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Spain:
Who recognises the town in this famous painting by El Greco?
In this, his greatest surviving landscape, El Greco portrays the city Of Toledo where he lived and worked for most of his life. The painting belongs to the tradition of emblematic city views, rather than a faithful documentary description. The view of the eastern section of Toledo from the north would have excluded the cathedral, which the artist therefore imaginatively moved to the left of the Alcázar (the royal palace). Other buildings represented in the painting include the ancient Alcántara Bridge, and on the other side of the river Tagus, the Castle of San Servando.
Part of a great tour of Spain
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Mexico:
Frida Kahlo was a Mexican painter known for her many portraits, self-portraits, and works inspired by the nature and artefacts of Mexico. Inspired by the country’s popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society.
Her paintings often had strong autobiographical elements and mixed realism with fantasy.
In addition to belonging to the post-revolutionary Mexicayotl movement, which sought to define a Mexican identity, Kahlo has been described as a surrealist or magical realist. She is known for painting about her experience of chronic pain.
Kahlo contracted polio at age six, which left her right leg thinner than the left, which Kahlo disguised by wearing long skirts.
After the accident, Frida Kahlo turned her attention away from the study of medicine to begin a full-time painting career. Frida Kahlo once said, “I paint myself because I am often alone and I am the subject I know best”. Her mother had a special easel made for her so she could paint in bed, and her father lent her his box of oil paints and some brushes.
Drawing on personal experiences, including her marriage, her miscarriages, and her numerous operations, Kahlo’s works often are characterized by their stark portrayals of pain. Of her 143 paintings, 55 are self-portraits which often incorporate symbolic portrayals of physical and psychological wounds. She insisted, “I never painted dreams. I painted my own reality”.
Kahlo was deeply influenced by indigenous Mexican culture, which is apparent in her use of bright colors and dramatic symbolism. She frequently included the symbolic monkey. In Mexican mythology, monkeys are symbols of lust, yet Kahlo portrayed them as tender and protective symbols. Christian and Jewish themes are often depicted in her work. She combined elements of the classic religious Mexican tradition with surrealist renderings.
Travel to Mexico to learn more about her.
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Prague:
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Zimbabwe:
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Iceland:
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Oman and Zanzibar:
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Egypt:
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Dubai:
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Vatican City, Italy:
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